My first exposure to The Woman in Black was GCSE Drama many years ago. We studied it in class and then saw the West End version, which, by the way, was not only a feat of both technical design and acting, but was also bloody terrifying.

I’ve read this incredible novel at least five times since last February. The mastery involved in this tale unfolding – if I produced a book like The Secret History, I’d only be putting out one novel a decade too.

The Master and Margarita had been on my radar for a long time as someone who loves stories about witches and the Devil.

This is not exactly an advice post, but more the ‘character rules’ I (mostly) subconsciously abide by, which can give an insight into my process and characters – and if you’re looking for tips, something here might help you too.

From Charles Dickens to Daphne du Maurier, I love a quick spinechiller. Yes, I know, it’s nearly summer, but here are my six spooky short story suggestions, ideal for a skin-shivering quick read under a parasol…

Brighton Rock is intense to say the least. It may be a classic race against time thriller, but it’s also a strange, heady mix of poverty-sticken provincialism and the potential damnation of one’s eternal soul.

A writer will never get what they perceive as perfection first time. There’s a reason why a painting takes ages to paint, why actors rehearse repeatedly, why sculptors have to chip away and away until they realise their vision.