My first exposure to The Woman in Black was GCSE Drama many years ago. We studied it in class and then saw the West End version, which, by the way, was not only a feat of both technical design and acting, but was also bloody terrifying.

There’s grief, madness, and loss steeped into it. And of course, the first truly malevolent haunted house in pop culture. In my opinion, what makes The Haunting of Hill House truly powerful is its narrative ambiguity – how much is in Eleanor’s head?